Eileen Maclean
1943 - 2016Eileen Maclean
Born with a deep appreciation for the outdoors in 1943, Eileen Maclean hails from the lush landscapes of Scotland. Growing up in the midst of such natural beauty instilled in her a love for the environment that would later become a central theme in her artwork. Although her life ended in 2016, her legacy continues to flourish through her art.
Maclean studied at the Edinburgh College of Art, where she honed her skills and developed her unique artistic voice. Her time at the college exposed her to a variety of techniques and styles that would inform her later work.
Maclean's work is characterised by a deep-rooted connection to nature. Her paintings often feature the serene beauty of the natural world, capturing the essence of landscapes, flora, and fauna. She primarily works with oil on canvas, skilfully layering colours to evoke the rich textures and hues of the environments she portrays. Her art is imbued with a sense of tranquillity, inviting viewers to contemplate the world's inherent beauty.
Eileen Maclean's art has been recognised and celebrated in various exhibitions and awards throughout her career. Her ability to evoke the sublime in nature has earned her acclaim from both critics and art enthusiasts alike.
“Nature's beauty is a timeless source of inspiration, and my art serves as a conduit to share that beauty with others.”
Eileen Maclean
Her artistic philosophy is rooted in a deep respect for the natural world and a desire to convey its intrinsic grace and serenity.
Her art can be found in prominent public and private collections, including the London Borough of Camden's collection, where Hampstead Pond resides.
Camden Art Collection
The London Borough of Camden Art Collection consists of just under 1,000 items that include works on paper, paintings and sculptures. The main focus of the collection is works dating from the late 1950s to the late 1980s, with many pieces by artists who lived in the Borough. Many of these works were inherited from the predecessor authorities who were gifted these pieces when the Council was established in 1965. Other works were directly purchased by the Council from 1965 to 1985, with limited funding from a ‘picture loan’ scheme that the Council operated.